Monday, January 7, 2008

#115 - Santa's Secret Service

Santa's Secret Service

1/7/08 (#115)

Watch any movie that involves a fairy tale ending and you will surely see some straight-laced, overly-sober "realist" chastise the hopeful hero with a variation on, "you want everything to be like a fairy tale, but that's not how things work in the real world." (Usually delivered one implausible-plot-twist prior to the ensuing fairy tale ending.)

The problem with the fairy tale is not its incongruity with our so-called reality---after all, all the world's a stage, and for the duration of our show, we are the primary scriptwriters for our own stories: Penning a fairy tale isn't a lot harder than writing a drama about family conflict. (Though on the latter, you'd have the advantage of collaborators.) Unfortunately, the curtain rises on our play at the same time is rises on a thousand other plays, and they're all being acted out on the same stage---if can be hard to concentrate on the Princess' soliloquy if Blanche Dubois keeps interrupting the scene.

The key to staging a successful fairy tale is also the key to planning an elaborate surprise marriage proposal in a crowded restaurant: Getting the bit players to cooperate with your script. And just as the future groom must contend with some members of the impromptu cast caring more about their poached salmon than the ceremonial ruse concocted for his fiancée, there are more than a few bit players who will volunteer to improvise the role of the ogre in your fairy tale.

Santa Claus is a central character in the most perpetuated of our common fairy tales, and over this past Christmas season, I began to realize how difficult it is to protect Santa, to maintain the illusion that he is the real deal. Frankly, even the logistics of that fairy tale are a bit preposterous to maintain in the 21st century: One man with one sleigh delivers a billion toys in 24 hours? Heck, even our UPS driver had a helper with him for most of December, and they worked five days a week. And they could deliver to the front door.

My daughter is five, and while she started the Christmas season as a true believer, there were several incidents that led me to lament the previous year's tutelage in the value of analytical thinking, occasions when this production of the fairy tale seemed genuinely threatened:

Previous Scripts for the Same Story: We watched a lot of Christmas movies this year, and I was flummoxed to find so many tackling the question of "believing" in Santa Claus. From Charlie Brown to a pint-sized Natalie Wood, children are presented with an array of variations on faith and frustration. The trouble is, even though Natalie Wood eventually believes in Kris Kringle in Miracle on 34th Street, the damage was done with the initial expression of disbelief: Midway through, Sage turned to me and asked, "Why wouldn't she believe in Santa?", as if she had heard someone refuse to believe the ocean is blue. Any explanation I could offer was irrelevant, because the seed of doubt had been planted. (Hollywood is the most difficult bit-player to urge into cooperation.)

Casting Overlap: Santa came to Sage's school, a larger-than-life man in a flawless costume (complete with a bushy, real beard) who distributed presents (supplied by the parents) to the students and told trie little elf stories with perfunctory Kringlese. (Though after he asked the children, "Does anyone know who Jesus was?" I suspected he was going to refer to his reindeer as "Peter, Paul, John, Matthew...".) Afterward, Sage asked if that was the real Santa. "It sure looked like Santa", I assured her. "Yeah, but he looked different than the one at the mall downtown." (We had not "visited" that Santa, but he had come into view when we breached the border of the Pioneer North Pole when looking for something for Sage's mom.) It's tough to keep up a fairy tale in which the hero continually changes their physical appearance---it's like trying to believe "Darren" was actually Darren when he seemed to be a completely different person in random reruns of Bewitched. (Worse, imagine Bewitched with dozens of different Darrens.)

Prop Problems: Sage and I sat watching one of the holiday cartoon movies when she asked, "If Santa comes down the chimney and out the fireplace, where does he get out at our house?" Her curiosity was genuine: Our 1924 bungalow has no fire place, no wood stove, no possible portal between the rooftop and the living room. It was one of those moments that you see in an advertisement, the dad speechless to such a simple yet complicated question, except there was no voice-over narration to mask the awkward silence that followed. I goggled my brain for something...anything...plausible. "There's a little door in the base of the chimney", I explained, then immediately recalled that the little door I was picturing was actually located on my parent's chimney, in a house they sold 20 years ago. I don't like fibbing to Sage (though when necessary, I will obfuscate the truth verbal gymnastics that would leave even the Dad in Calvin and Hobbes dizzy), and this was a lie that she could fact-check during a commercial break. A man shouldn't be subjected to such dilemmas---parenting is expansive enough without an additional section of the test featuring logic puzzles.

Too Many Writers: In our family, Santa brings one gift; Mom and Dad supply the rest. (Santa already has a billion toys in his sled, he can't be bringing the whole Smurf village to every little girl who asks.) But in Sage's cousin's house, Santa brings most of the gifts. Thus, when the kids got together that night, Sage's cousin rattled off a long list of gifts delivered by jolly old St. Nick, while she stood by with her single Santa-supplied toy in her hand, a puzzled expression on her face: Why is Santa so disproportionate in his generosity? Was her letter to Santa too specific in its request? Or had she deceived herself into thinking she would be on the "nice" side of Santa's ledger, and in fact had a line reserved for her name under "naughty"? I watched from across the room as she wrestled with these puzzles, knowing that my involvement would only exacerbate the problem because it would give her a forum for articulating her uncertainties, each question (and its noncommittal answer) begetting another question. She shrugged it off as they got down to the serious business of playing with their new toys, but at that moment I felt Dickens' ghost of Christmas Future creep onto the stage.

He looked like an ogre in a fairy tale.

What surprised me this season is that I had not anticipated any of these spoilers, yet they were hammering me on a near-daily basis, making the holiday season feel less like reveling and more like spin control. I think we managed to keep the ruse in tact, and next year she will again be excited to believe that this particular fairy tale will come true again. I just have to remember: First, don't let Santa tell any Jesus stories; Second, keep a keen eye out for rogue Santas lurking behind department-store snow drifts; Third, investigate financing on the installation of a fireplace, and finally....well, sorry Sage, Santa's going to stick to the one-gift-only rule. More than one gift for each child and, well...then the story just wouldn't work in the real world.

©2008 wpreagan

1 comment:

Steph said...

My childhood home was also without a chimney, so my parents always told me Santa just came in the front door. Seemed plausible enough to me, and from there I assumed for myself that he parked the sleigh in the street. We lived on a quiet enough street that the odds of a car going by in the middle of the night were just about nil, so that worked. But as far back as I can remember, I was always suspicious about the fact that Santa seemed to have the same handwriting as my parents (I'm told they would actually write the tags out with their left hands, and I still wasn't fooled, and neither was my brother). Oh well. Glad you've been able to keep the fairy tale alive. :)